By Haruki Murakami, Translated from the Japanese by Jay Rubin, Philip Gabriel
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Extra info for 1Q84
Right. And after you do something like that, the everyday look of things might seem to change a little. Things may look different to you than they did before. I’ve had that experience myself. But don’t let appearances fool you. ” Aomame thought about what he was saying, and in the course of her thinking, the Janáček ended and the audience broke into immediate applause. This was obviously a live recording. The applause was long and enthusiastic. ” She imagined the smiling conductor bowing repeatedly to the standing audience.
It happens all the time. ” Tengo asked, but he already knew what Komatsu’s answer would be. ” Tengo searched for an appropriate response but couldn’t find one. He heaved a sigh and said, “You know as well as I do that this work is going to need more than a little patching here and there. ” “Which is why you’ll rewrite it from top to bottom. Just use the framework of the story as is. And keep as much of the tone as possible. But change the language—a total remake. ” Tengo muttered, as if to himself.
Time charges don’t add up on the expressway,” the driver said, speaking toward his rearview mirror. “So don’t let the fare worry you. ” “Yes, of course. ” He glanced at her in the mirror. He was wearing pale sunglasses. The way the light was shining in, Aomame could not make out his expression. “Well, in fact, there might be a way. ” Aomame said nothing. She waited for more with narrowed eyes. “Look over there. ” he asked, pointing. “See? ” Aomame strained to see through the windshield until she focused on a space to the left of the two-lane roadway where broken-down cars could pull off.